Trina Turk, Los AngelesDesigned by Kelly Wearstler
src="http://pagead2.googlesyndication.com/pagead/show_ads.js">
Many people ask, "What is Hollywood Regency decor?" I'm not sure I can answer that simply. My feeling is that it's a bit of Hollywood glamour with a "hotel" feel. Who started it? Dorothy Draper? Billy Haines? I am totally enthralled by the refreshing look of combining elements of the 40's through 60's with traditional decor. You will find lamps and furniture on my web site that are the "Hollywood Regency" look. Read on...I've tried my best to get some good definitions from sources on the internet. AND, if the look interests you, pick up a copy of the books listed below.
src="http://pagead2.googlesyndication.com/pagead/show_ads.js">
To quote designare.com they say, "Dorothy Draper may not have been the first high society interior decorator, but she was the first successful female commercial interior decorator. In an era where most female interior decorators gravitated to their rich friends' homes for design jobs and architects were chosen to work on commercial projects, Draper broke the mold and pursued public commissions as well as residential jobs.
Born into a wealthy family in exclusive Tuxedo Park, New York, Dorothy Tuckerman did not have to lift a finger to make a living. She married well-connected Dr. George Draper and eventually bore him three children.
Most women of this Edwardian era would consider their life complete, but Dorothy Draper was no ordinary person. Dissatisfied with just being a housewife and society matron, Draper started designing her own home. Overwhelmed by compliments they soon received, the Drapers quickly sold their home and bought another one to design. Soon she was doing her family friends' homes and from there she took the plunge into commercial projects.
Helping her take the plunge was one of her close friends, real estate developer Douglas Elliman. Elliman provided Draper with contacts to land projects including large apartment houses and high-end public lobbies. Her first major project was the Carlyle Hotel in New York City in 1930. She designed the space in the current Art Deco style. Elegant friezes of stylized Greek maidens and athletes against dark walls looked down from the ceilings.
Her next major project was the apartment house complex, Hampshire House, located at Central Park South. Draper envisioned a mixture of English and Italian baroque throughout the space. Oversized black and white doors line the marble tiled corridors. Plaster reliefs carved in the ornate style of Grinling Gibbons decorated the walls. Her signature style of large floral prints in bright colors against striped walls brightened up the rooms.
In 1939, Draper left for San Bernardino, California to design Arrowhead Springs Hotel and Spa. The space included public lobbies, restaurants, lounges, a theater and guest rooms."
Through this project, Draper popularized the "Hollywood Regency" style of design. Glamorous sets of luxurious materials, oversized furniture, and sparkling chandeliers became de rigueur in taste.
The trend has come back with designer Kelly Wearstler giving it a modern twist.
I just love this look and here are some photos of Kelly Wearstler's commercial projects which can also be found on her web site, KWID.
Designer Jonathan Adler defines Hollywood Regency...
"I define Hollywood Regency as Neo-classical lines mixed with Hollywood glamour and a top note of mod moxie. Hollywood Regency was a style of architecture and decoration popular in the 60s in LA that was a revival of classical regency style through a modern lens. Hollywood Regency added a layer of pattern and decoration and opulence and glamour to the minimalism of mid-century modernism.
I think that the current rage for Hollywood Regency is a reaction to the Christian Liaigre-ish minimalism that has been pervasive for the last several years. Design was starting to look a bit dour and grey and joyless and I think people had simply had enough. So, Hollywood Regency has become a catch-all name to describe design that thumbs its nose at minimalism in favor of classical references and lots of decoration. As for the mirrors and bamboo and Asiana and chrome, those are all design elements that figured into Hollywood Regency style the first time around and I think they're back because they're decorative and glamorous.
I have always been a maximalist and an eclecticist. My pad has always featured a mix of my own stuff with modern classics and Louis XVI chairs and a dollop of rococo, so I fully support design that has a dash of opulence and a soupçon of decoration."
